So I’m going through the “where can I add beads to this?” phase.
Here’s a shawl which called for beads and nupps, but I used beads throughout because I’m not overly fond of nupps.
The design is Karen Strauss’ Bella Botanica Shawl. Of course you can’t see the beads in the photo – never mind.
I love the edging:
This is the third shawl from the two 100g skeins of hand-dyed laceweight which came out in a colour I adore. And I’m going to make a fourth!
I’ve been having a good clear out of my libraries: chucking out old magazines and books for recycling and deleting stuff from Ravelry. In the process I thought it would be a good time to knock off a few classics and get them out of my system. Finally getting around to the Prairie Rose Lace Shawl probably triggered things.
I have a couple of skeins of Zitron Filigran which I bought when I first got the lace knitting bug and they’d slipped to the back of my yarn queue. Well, what a lovely surprise! The yarn is high quality one-ply merino and knits beautifully. I started with a limited edition multi-shade in purple/violet and finally got round to Emily Ross’ Haruni.
I’m not too sure about the colour-banding, but it’ll do.
I probably wouldn’t have used the yarn for this design if I’d been more alert when I wound it into a ball. I did it in a hurry because I was a bit incensed over some black alpaca/silk/cashmere laceweight which I’d bought for Jane Sowerby’s Myrtle Leaf Shawl. It’s by one of our leading indie hand-dyers and I’d been looking forward to using it. Having got through the first pattern repeat I looked at my hands. You guessed it – dye transfer. As an amateur hand-dyer I was appalled. I won’t sell anything which I think won’t be colour-fast so why should anyone else? Needless to say it’s all on the compost heap. I can take dye leakage during washing but not in the knitting.
And my next classic? Evelyn A Clark’s Swallowtail Shawl.
“What about those nupps?” you may ask.
Indeed.













